Dear Josh,
So, I promised myself that I’d make a top-ten list this year commemorating my favorite things of 2010. I’m a little behind. Let’s start off the list (counting down) with an obvious favorite, the ultra-sundae:
The title of this post is my motto for the upcoming year. Hope you’re as inspired as I am!
Me in 2012.
Me, again, in 2012.
Despite the fact that it was 69 degrees a day ago, I’m feeling suspiciously in the Christmas spirit and productive thanks to Prozac!
I had been mulling over the idea of actually producing a (gasp) printed holiday card this year — inspired by Brendan’s annual postcard, which I am always jealous of. Still, I’m not sure I’m ready to commit even though I have like four business days to make a concrete decision. Also, it’s still November.
As a start, though, I’ve made a single-sheet holiday craft project that facilitates kissing: Make Your own Mistletoe. Preview here:
Okay, so the question is: do I make this into a card? Also, what is your mailing address so I can send you one if this all works out?
So, it’s been a while…but things have, in fact, been happening! It’s nearing the end of autumn, but I’ve been surrounded by pumpkin-related things, mostly because I recently finished the official poster for MCT’s production of Cinderella:
It really is going to be incredible! My good friend and amazing artist, Maria Berrio, is going to be helping out with the sets, ensuring that the aspect of whimsy is thoroughly covered. In addition to the poster, I made some functional collateral to support the show. You can download them right here if you are so inclined!
Cinderella desktop background (1920 x 1200)
Cinderella iPhone background (640 x 960)
Finally! A chance to use steampunk appropriately (also, a personal dream of mine)!
Stay tuned for more!
Type credit: Mrs. Eaves
[I just realized that I've been using "Illustration" as both a Category and a Tag. Josh, how do you feel about this?]
I’ve blogged (ugh) about my recent Les Miserables project in collaboration with the wonderful Miami Childrens Theater. Not gonna lie: whenever you’re tasked with reinterpreting an iconic image such as the quasi-relevant, but much-adored illustration of young Cosette, you have a lot of things working against you from the get-go.
Here’s the image most associated with the musical production of Les Miserables (I’m sure you’ve seen it at some point in your life):
My goal was to veer away from the above and focus on depicting something that would resonate just as much with diehard Les Miz fans, but also capture the ‘spirit of the revolution’ and embody the quote by Enjorlas, “It is a time for us to all decide who we are…”
Here’s the end result:
I also worked on a slightly larger series of posters for this production – they’ll soon be available as postcards:
The bottom left poster depicts the Death of Valjean scene (largely relying on symbolism here, guys) and the bottom right poster represents the widely popular character of Éponine, a true, original emo girl.
Overall, a hugely fun project! Next up are additional marketing pieces which will be available via MCT’s website.
Few things are worse than trying to track down and populate the content of a website, am I right?
I’m currently scrounging around old hard drives for work to add to my design portfolio site (a.k.a: NOT this one) and naturally, things took an existential turn.
Files “last modified” in the year 2007 are bound to result in some quiet whimpers of horror, but on the other hand, they really put things in perspective (I might have gotten worse, actually). That said, I present to you a brief sampling of the work I produced during my last semester in art school. Note that I was very much into old-school editorial illustration, cats, ‘childrens’ illustration and being really self-referential:
This one is called “Depression” – the subject looks a lot like me…hmmm…:
This one is from a children’s story called “Five Little Birdies” which actually isn’t terrible and might be resurrected at some point:
Remember that post about a ribbonfish a few weeks ago? Well, I swear it was relevant!
I did another poster for the Miami Childrens Theater’s upcoming production of Les Misérables. I’ll be executing four unique posters inspired by the storyline when all is said and done.
This particular poster’s theme? Whores!
Despite the fact that I strictly work digitally, the success (or failure) of my illustrations is really dictated by the original sketch. This time around, my initial sketch was a dud. Soldiering on in denial, I attempted to save it through the magic of Photoshop without much luck. What I ended up with was something that really didn’t give me the closure that I needed on this particular image.
C’est la vie!
Frustrated, I did what any quasi-perfectionist would do – resketch and reillustrate! Fortunately, this time around was much more successful. Here, I shall share now:
Sketch (duh)
Final (duh?)
In Design (not the Adobe shitshow program)
Seymour Chwast edition
Noir edition
And because you’re all dying to know, here’s the original FAIL version:
More Les Miz stuff soon!
Rarely do I reference my career path as a graphic designer. This is mainly because the work I produce or oversee has little to do with my aesthetic as an illustrator—sometimes, it’s good to keep these things separate.
Lately, I’ve been doing some freelance design work that definitely has more of my illustrative tendencies reflected in it.
I recently designed the logo for the Miami Childrens Theater’s charitable effort: MCT Cares.
Treble clefs are kind of hard to draw, guys. Do you see the hidden ribbon? It’s my homage to the arrow in the FedEx logo (kidding).
Oh, and here’s an application board:
Classic exercise in technical execution and insanity: I apparently can’t draw ribbons, but must learn how for another project I’m working on. So, I made this:
It would be even funnier if it were a sea creature.
I apparently can’t draw underwater environments either. meh.
UPDATE: I basically tricked Brendan Coyle (aka, the best digital artist in the business) into putting the ribbonfish into a 3D water environment. It looks 100x better and legit, am I right? Thanks Brendan!
Also, a process video:
a ribbonfish in its natural habitat from Brendan Coyle on Vimeo.
